It is something very strange to have a conscience. About thirty years ago, in Japan, I took part in a group. The group called itself “L’Illumination“. Illumination was a word that someone of our group took from the poetry of Rimbaud.

Almost the entire ouevre of Mira Brtka is based upon on the analytic concept of a work of art (a painting, a sculpture, a collage, a tapestry, an object, a film, a video). Purity of the formal effect, non-expressivity, problematizing and philosophizing of the form and painting or sculpture, as well as the language consistency in her art have never interrupted the social functionalization of her expression.

In an attempt to explain the origin and meaning of a new cycle of Mira Brtka’s white paintings-reliefs, we must go back to a time several decades ago, into mid-1960s, the time when her first, also white, abstract paintings were made in an artistic climate defined through the concept of “post-informalism“

Mira Brtka was born in Novi Banovci. She graduated in film directing from the Academy of Stage and Film Art in Belgrade in 1953, and from the Academy of Fina Arts (Accademia di Belle Arti) in Rome in 1963. She directed a play, Glass Menagerie, in Subotica in 1953. She studied in Prague, working with filmmaker Otakar Vávra.
Read article...

EXIBITIONS


Members of Ilumination,

Trento, Italy 1967

Read more

Galleria Scorpio,

Rome, Italy 1965

Read more

Museum of Contemporary Art Belgrade

Belgrade,Yug 1971

Read more

Museum of Contemporary Art Vojvodina,

Novi Sad, Srb 2012

Read more

INTERVIEWS


Mira Brtka / Unstable Balances

(1962-2012) – by Francesco Saba Sardi
Saba Sardi – I was thoroughly impressed with the images of the works I saw on your website. Above all, I was struck by the image of your installations that I would call lightning signs. Signs-flash-matter-color, prodigiously suspended in the void, or traversed by emptiness. Of no less interest are your filiform inventions, including images that I would tentatively call "anthropomorphic" – let's say so, but correct me in their definition.

Read full interview

DNA as a horizon of the Vojvodina Plain

15 June 2012 - by Gordana Draganić Nonin

A film director, sculptor, painter, fashion designer... Mira Brtka was born in Novi Banovci in 1930. Everything which she went through and lived through, from running barefeet in the dust of Novi Banovci, to playing with cloth among Slovak women who were making embroidery, all the way to the last [54th] Venice Biennale where she took part in her colleague Dora García’s Red Suitcase project in the Spanish Pavilion, or, until the last day of March this year [2012] when in Petrovaradin the Brtka-Kresoja Foundation began its work, one could hardly put all of this in a single interview.

Read full interview

PAINTINGS


View more

View more

View more